Tag: culture

Impact of Streaming Services on Culture

At the outset, I must confess that I am possibly not the best person to talk at length about streaming services. I won’t consider myself as a regular user of any of the services such as Netflix, Spotify or others. However, since the start of lockdown, I, like many others, have started spending more time on these services. And this led me to think about the impact that these services could be having on Culture.

Culture is a very broad term. I will be using this term largely in the context of Arts and Entertainment, specifically music and video.

Let’s start with the consumer. I guess there can be no doubt that the consumer has benefited from these services. One is no longer bound by the dictates of local television channels or record stores, but has the ability to discover artists and shows from around the world. It is easier and cheaper to experiment with new stuff as there is no incremental cost of watching or listening to a song or show. And, just as important, one can carry around one’s ‘TV’ / ‘Audio System’ and listen to one’s favourite music / watch TV.

Has this benefited the artists? I am not an expert, but I can understand that this can be complex. On the one hand, all artists now potentially have equal reach and are not overly reliant on the TV Studio or Record Label for distribution. Also, to the extent that piracy is controlled, they can also more effectively monetise their output. However, I do not have details of the revenue sharing arrangement between all the parties involved to say if artists are better off financially with the increasing adoption of streaming services.

What about record labels / TV and film studios? Again, this is a complex area that I am now going to get into, simply because I have very little information on the relationships between them, the streaming services and the artists.

Coming to the crux of the article – What is the impact of the widespready popularity of these services on the nature of the work being produced? Are all the advantages of these services (some of which have been mentioned above) being made use of by the artists to come up with more and more unique, path-breaking work? Or is the prevalence of ‘algorithmic’ discovery leading to a standardisation of output to maximise views and listens?

I have just started researching about this topic. And so it will be presumptuous of me to claim any knowledge or understanding of this. The best I can do at this stage is to refer readers to some of the more interesting articles on this topic I came across. I would recommend beginning with Can monoculture survive the algorithm? Another one is Is Netflix Ruining Culture?

Google Arts & Culture

red art relaxation girl
Photo by Una Laurencic on Pexels.com

I came across this site yesterday and spent an enjoyable time on it.

What is Google Arts & Culture?

This is what the ‘About’ section of the website states:

“Google Arts & Culture is a non-profit initiative. We work with cultural institutions and artists around the world. Together, our mission is to preserve and bring the world’s art and culture online so it’s accessible to anyone, anywhere.”

The initiative’s pitch to museums and cultural institutions is “We can help digitize, manage, and publish your collection online, for free. With our easy-to-use tools, your stories can be told beautifully to a global audience.”

In classic Google style, they present the results of these to the end user in a simple, elegant and beautiful manner. It definitely helps that they are presently leading with an article on the “Sphinx of Delft” – the Dutch master, Vermeer.

Scroll further down and you can explore architecture, food, music as well as indulge in virtual travel. There are also articles exploring concepts in science.

I have only just started scratching the surface of this and look forward to spending more time exploring it further!

 

 

Monday Reads – 10/02

group of people making toast
Photo by fauxels on Pexels.com

A mix of tech, culture and food in this week’s collection:

Tech in 2020: Standing on the Shoulders of Giants – What’s next in the world of tech, not that over 4 billion people have a smartphone? This is the question that tech analysts, Benedict Evans, attempts to answer in this presentation. A data point that was new to me – ‘China and India use more mobile data than the rest of the world combined‘.

Pop Culture’s Rate of Change May Mirror Organic Evolution – A fascinating research that compares the rates of evolution of certain cultural phenomena—pop music, automobiles, medical literature and 19th-century novels—with those of the scarlet tiger moth, the Darwin’s finches of the Galápagos Islands and two other well-studied creatures: a snail and another moth. And the conclusion is that “the evolutionary pace of modern culture is generally the same as that of many animal populations—which is to say, it is a lot slower than people think.

Inside Google’s Efforts to Engineer its Food for Healthiness – Almost everyone knows Google has a tech / data company. And almost everyone with some knowledge of the company would know that it’s very famous for its free food policy. I have been fortunate to have visited a couple of Google offices internationally. Our team would eagerly look forward to these visits as it was an opportunity to have the food there! This is an in-depth look at how Google is applying its famous policy of experimentation to get their employees, especially in the US, to eat healthier. “What Google is attempting here is culture change…And that’s the level we have to reach to transform behaviors and health for a lifetime.”

 

So in how many years does Pop Culture repeat itself?

acoustic amplifier artist audio
Photo by Mike on Pexels.com

One of the ‘truisms’ of pop culture that I grew up accepting was that pop culture fashion reemerges every 20 years. Not that I analysed it or researched it, I just accepted it. One of the reasons could be that, the soundtrack to my growing up years in the 1990s was dominated by bands such as Led Zeppelin who dominated the airwaves in the 1970s. Followed by the sound of grunge music, which again, can be said to be a reinterpretation of the generally angry and pessimistic decade that followed the glorious 60s.

I dropped out of the pop culture bandwagon soon afterwards, when my taste in music settled into the classic rock of the 60’s and 70’s. But I just hung on to this belief as just something that pops out of my consciousness and goes back again.

Finally, today, I decided to do some research into this. Not a lot, just some casual search online (on a Search Engine that was getting popular 20 years ago). And, not really surprisingly, found that there is no real consensus on this topic. This article, one of the first I came across, perfectly encapsulates this uncertainty.

Digging further, another article confidently put it down as 30 years, backing it up with some interesting analysis. But hold on, it’s not 30, but 40, states this article with references to ‘Mad Men’ and other examples.

One thing of which there can be no doubt is that we are now living in the Digital Age. With attention spans getting shorter and shorter, this article puts out an interesting hypothesis. The age of 20 year cycles might be over, to be replaced by shorter, possibly 10 year cycles.

So what started out just as an exercise in curiosity turned into something more thought-provoking? Will the 20 (or 30, or 40) year cycle continue to hold true for future generations? Or would the rapid and on-going lifestyle changes, driven by the digital revolution, mean that cultural trends are going to be more unpredictable going forward? Just another of the glorious uncertainties of this Information Age that we are fortunate to be living in!  

The Geography of Culture

No sooner had I finished writing my previous article on the Geography of History than I came across a few articles that explore the Geography of Culture:

  1. A Painter on a Paris Pilgrimage – This article wonderfully explores the key role of Paris in the art movement of the last 19th and early 20th Centuries. I wish I had read about this before my visit to this City of Light. I had stayed very close to Montparnasse and would have loved to visit some of the places mentioned in this article.
  2. Sleuthing Through Feluda’s Kolkata – While Satyajit Ray is more famous globally as a cinema director, his books are equally famous in India. In this article, the author explores the different places in Kolkata mentioned in Satyajit Ray’s books about Feluda, the detective.
  3. Where James Bond Was Born – Though I cannot really be considered a fan of the famous British spy, I did not know till I read this article about the Portuguese connection that led to Ian Fleming creating the famous character.